Lygia Clark, Fernanda Gomes, Ana Mendieta & Michelle Stuart – Alison Jacques

Ana Mendieta

JULY 2026: TATE MODERN, LONDON

Sagarika Sundaram

SEPTEMBER 2026: HENRY MOORE INSTITUTE, LEEDS

MARIA BARTUSZOVÁ: A tiny void filled with a tiny infinite universe

MUSEUM OF MODERN ART OLOMOUC, CZECH REPUBLIC: UNTIL 13 SEPTEMBER

BETTY PARSONS

‘ABSTRACT EXPRESSIONISTS: THE WOMEN’, SPEED ART MUSEUM, LOUISVILLE, US: UNTIL 30 AUGUST

Lenore Tawney: MADE IN TENSION

THE SOLOVIEV FOUNDATION, NEW YORK: UNTIL DECEMBER

Sheila Hicks

SAN FRANCISCO MUSEUM OF MODERN ART: UNTIL 8 AUGUST

BETTY PARSONS

PETER MARINO FOUNDATION, SOUTHAMPTON, NEW YORK: UNTIL 3 OCTOBER

Takuro Kuwata

‘ETHNOGRAPHY OF THE BODY AND MATERIAL — SLOWNESS AND DEPTH IN AN ACCELERATING SOCIETY’, PALAZZO PISANI SANTA MARINA, VENICE: UNTIL 22 NOVEMBER

SKY GLABUSH, MONICA SJÖÖ & LENORE TAWNEY

‘THE SUN AND THE MOON – ART INSPIRED BY THE CELESTIAL’, SAATCHI GALLERY, LONDON: UNTIL 8 SEPTEMBER

LYGIA CLARK

‘INSIDE OTHER SPACES: ENVIRONMENTS BY WOMEN ARTISTS, 1956–1976’, LEEUM MUSEUM OF ART, SEOUL, SOUTH KOREA: UNTIL 29 NOVEMBER

MARIA BARTUSZOVÁ

‘COSMOS, SPACE, TIME’, EAST SLOVAK GALLERY, KOŠICE, SLOVAKIA: UNTIL 13 SEPTEMBER

Lygia Clark & Lutisha Pettway

‘ARTIST’S CHOICE: ARTHUR JAFA–LESS IS MORBID’, MoMA, NEW YORK: FINAL DAYS

Pacita Abad, Emma Amos, Sheila Hicks

‘EIGHTY YEARS OF WOMEN ARTISTS TRANSFORMING ABSTRACTION’, NATIONAL MUSEUM OF WOMEN IN THE ARTS (NWA), WASHINGTON DC: UNTIL 26 JULY

Carol Rhodes

‘EXTRACTION’, JUPITER ARTLAND, EDINBURGH: UNTIL 26 JULY

Lygia Clark, Fernanda Gomes, Ana Mendieta and Michelle Stuart are included in ‘The Sensation of Space’ at The Warehouse, Dallas.

In his essay on artist and friend Alberto Giacometti, French writer Jean Genet describes a conversation in which Giacometti discusses his understanding of objects as existing in a kind of spatial solitude, apart from their surroundings, with the ability to generate a new awareness of space around them. In this brief exchange, the artist offers his impression of the complex and poetic relationship we share with the material, physical world. It is through the act of making a sculpture that Giacometti – and the artist in general – imbues each object with its own place or weight, or as Genet describes, ‘the sensation of space’ that surrounds it.

Taking Genet’s description as its title, this exhibition looks at the ever-expanding ways artists create sculptures that generate, activate, and occupy space in all its physical and psychological manifestations. At its foundation is a dialogue between the Raymond and Patsy Nasher Collection, one of the world’s finest collections of European and American modern and contemporary sculpture and The Rachofsky Collection, a post-WWII collection of art from around the world with focuses in identity, process, and conceptual work. ‘The Sensation of Space’ explores the material, formal, and thematic connections in works dating from the mid-19th century to the present and illustrates how artists continually seek out new ways to redefine traditional notions of sculpture.

The Sensation of Space is co-organised by The Warehouse in partnership with the Nasher Sculpture Center. The exhibition features works from The Rachofsky Collection, the Raymond and Patsy Nasher Collection, the Nasher Sculpture Center, the Dallas Museum of Art, the Collection of Marguerite Steed Hoffman, the Collection of Deedie Potter Rose, and the Collection of Christen and Derek Wilson. The exhibition is curated by Dr. Leigh Arnold, Assistant Curator, Nasher Sculpture Center and Thomas Feulmer, Director of Educational Programming, The Warehouse.

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