Review: Ian Kiaer, Henry Moore Institute
Daniel Potts, Aesthetica
April 2014

In Tooth House, Ian Kiaer responds specifically to the physical context of Galleries 1, 2 and 3 at the Henry Moore Institute. His overall intention is to find alternative purposes for debris. The pieces of debris employed are arranged and titled with the aim of raising questions about the value and form of each. The resulting works act as speculative props or proposals for the perception of objects in the space. […]