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Nicola L.

in ‘The Mother and the Weaver: Art from the Ursula Hauser Collection’, The Foundling Museum, London

Monica Sjöö

Exhibition Walkthrough with Linsey Young and Annie Johnston

Vogue, Alison Jacques

Does Fashion Owe a Debt to Robert Mapplethorpe?

José Criales-Unzueta, Vogue

February 2024

Inside Other Spaces, Haus der Kunst review — female pioneers of installation art finally get their due

Kristina Foster, Financial Times

October 2023

MoMA, Alison Jacques

Making Waves: A Cinematic Odyssey through Black Cinema

MoMA Magazine

February 2024

The Guardian, Alison Jacques

Beyond Form review: the dogged gunk rockers who besieged the art world – and the disco

Adrian Searle, The Guardian

February 2024

Art or design? Art Week Tokyo exhibition relooks at the role of craft in post-war Japanese art

Andrew Maerkle, The Art Newspaper

October 2023

Hyperallergic, Alison Jacques

The Wondrously Defiant Art of Contemporary Ceramics

Olivia McEwan, Hyperallergic

January 2023

Gordon Parks and Robert Mapplethorpe

in ‘ICP at 50: From the Collection, 1845–2019’, International Center of Photography (ICP), New York

Betty Parson

in ‘Three Paintings by Richard Mayhew, Betty Parsons, and Jane Wilson’, The Heckscher Museum of Art, Huntington, New York

Sheila Hicks: Infinite Potential

6 October – 18 November 2023

Ana Mendieta

in ‘Deep Inside my Heart’, National Gallery Australia, Parkes