18 November 20167 January 2017

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To coincide with what would have been the 70th birthday of the iconic American photographer Robert Mapplethorpe, Alison Jacques has invited acclaimed UK-based, German-born photographer Juergen Teller to curate an exhibition of Mapplethorpe’s work. Teller worked in collaboration with The Robert Mapplethorpe Foundation in New York to make his selection.

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Considered ​one​ of the most important photographers of ​the 20th century, ​Robert Mapplethorpe is currently the subject of a major touring retrospective ‘The Perfect Medium’, which opened at the J. Paul Getty Museum and LACMA, Los Angeles, ​in 2016. ​The exhibition is currently ​on view ​at the Montreal Museum of Fine Arts, Canada ​(until 22 January 2017)​​ and will travel to the Art Gallery of New South Wales, Sydney, Australia (October 2017–February 2018). Mapplethorpe is also the subject of a recently released, Emmy nominated, HBO documentary Look at the Pictures (2016).

Juergen Teller is one of a few artists who, since Mapplethorpe, has been able to operate successfully both in the art world and the world of commercial fashion photography.​ ​Alison Jacques, who has represented Robert Mapplethorpe in the UK ​since 1999, said: ‘Provocative and subversive, making images which are the antithesis of conventional fashion photography, ​Juergen Teller was the only choice to curate this special exhibition of Robert’s work. There are obvious parallels between these ​two ​artists and I ​believe Juergen​’s eye​ will bring ​a new reading of Robert’s work.’

With the permission of The Robert Mapplethorpe Foundation, Teller has enlarged two images, each over 4 metres in scale, which, pasted directly onto the gallery’s walls will provide a backdrop to the entire show. One wall will show Mapplethorpe’s first partner David Croland wearing a gag and the other features the model Marty Gibson from Mapplethorpe’s later work posing nude on a beach.

Teller’s selection of 48 images exposes works within Mapplethorpe’s archive that have rarely been exhibited before and span Mapplethorpe’s entire career, ranging from the unique Polaroids of the early 1970s to his iconic medium of silver gelatin photographs from the mid-70s through to the late 80s.

Still life features as a prominent theme with unusual subjects including a spoon full of coffee, a set of antique silverware, two coconuts, a television set, and prickly unopened seedpods on a plate. Teller has also chosen a number of images depicting animals, a subject matter that Mapplethorpe is not famously associated with, including a hanging bat, plate of frogs, reclining dog, kitten on a sofa, and horses.

Human subjects include some of Mapplethorpe’s key female muses such as Lisa Lyon, but also lesser-known personalities including Cookie Mueller, Lisa Marie Smith and Susan Sarandon’s daughter, Eva Amurri, as a small child. Well known people in Mapplethorpe’s life are represented including Patti Smith, David Croland and Sam Wagstaff. Teller has also responded to his own German heritage and selected lesser-known portraits of German figures of the time, such as Hans Gert and the photojournalist Gisele Freund. The image of Gert was the first that Tom Baril worked on for Mapplethorpe from his Bond Street Darkroom. Baril continued to be Mapplethorpe’s exclusive printer for over 15 years.

Sexually explicit images also feature in the exhibition but by interrelating these to a more romantic view of Mapplethorpe’s work, Teller has brought out the essential mission of Mapplethorpe’s work: a life-long quest for perfection of form whatever the subject matter may be.

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Works

Frogs, 1984

Silver gelatin print
Unframed: 50.8 x 40.6 cm (20 x 16 in); framed: 73.3 x 60.1 cm (28 7/8 x 23 5/8 in)
© Robert Mapplethorpe Foundation. Used by permission

Pods, 1985

Silver gelatin print
Unframed: 50.8 x 40.6 cm (20 x 16 in); framed: 73.3 x 60.1 cm (28 7/8 x 23 5/8 in)
© Robert Mapplethorpe Foundation. Used by permission

Cock and Devil, 1982

Silver gelatin print
Unframed: 50.8 x 40.6 cm (20 x 16 in); framed: 73.3 x 60.1 cm (28 7/8 x 23 5/8 in)
© Robert Mapplethorpe Foundation. Used by permission

Arthur Diovanni, 1982

Silver gelatin print
Unframed: 50.8 x 40.6 cm (20 x 16 in); framed: 73.3 x 60.1 cm (28 7/8 x 23 5/8 in)
© Robert Mapplethorpe Foundation. Used by permission

Bread, 1979

Silver gelatin print
Unframed: 50.8 x 40.6 cm (20 x 16 in); framed: 73.3 x 60.1 cm (28 7/8 x 23 5/8 in)
© Robert Mapplethorpe Foundation. Used by permission

Lisa Lyon, 1983

Silver gelatin print
Unframed: 50.8 x 40.6 cm (20 x 16 in); framed: 73.3 x 60.1 cm (28 7/8 x 23 5/8 in)
© Robert Mapplethorpe Foundation. Used by permission

Television, 1982

Silver gelatin print
Unframed: 50.8 x 40.6 cm (20 x 16 in); framed: 73.3 x 60.1 cm (28 7/8 x 23 5/8 in)
© Robert Mapplethorpe Foundation. Used by permission

Clothespinned Mouth, 1978

Silver gelatin print
Unframed: 50.8 x 40.6 cm (20 x 16 in)
© Robert Mapplethorpe Foundation. Used by permission

Muffin, 1981

Silver gelatin print
Unframed: 50.8 x 40.6 cm (20 x 16 in); framed: 73.3 x 60.1 cm (28 7/8 x 23 5/8 in)
© Robert Mapplethorpe Foundation. Used by permission

Lisa Marie, 1987

Silver gelatin print
Unframed: 50.8 x 61 cm (20 x 24 in); framed: 83.8 x 70.9 cm (33 x 27 7/8 in)
© Robert Mapplethorpe Foundation. Used by permission

Madeline Stowe, 1982

Silver gelatin print
Unframed: 50.8 x 40.6 cm (20 x 16 in)
© Robert Mapplethorpe Foundation. Used by permission

Coconuts, 1985

Silver gelatin print
Unframed: 40.7 x 50.8 cm (16 x 20 in); framed: 60 x 70 cm (23.6 x 27.6 in)
© Robert Mapplethorpe Foundation. Used by permission

Kitten, 1983

Silver gelatin print
Unframed: 50.8 x 40.6 cm (20 x 16 in); framed: 73.3 x 60.1 cm (28 7/8 x 23 5/8 in)
© Robert Mapplethorpe Foundation. Used by permission

Italian Devil, 1988

Silver gelatin print
Unframed: 61 x 50.8 cm (24 x 20 in); framed: 83.8 x 70.9 cm (33 x 27 7/8 in)
© Robert Mapplethorpe Foundation. Used by permission

Paris Fashion / Dovanna, 1984

Silver gelatin print
Unframed: 50.8 x 40.6 cm (20 x 16 in)
© Robert Mapplethorpe Foundation. Used by permission

Michael Reed, 1987

Silver gelatin print
Unframed: 61 x 50.8 cm (24 x 20 in); framed: 83.8 x 70.9 cm (33 x 27 7/8 in)
© Robert Mapplethorpe Foundation. Used by permission

Hans Gert, 1979

Silver gelatin print
Unframed: 50.8 x 40.6 cm (20 x 16 in)
© Robert Mapplethorpe Foundation. Used by permission

Cock and Knee, c.1978

Silver gelatin print
Unframed: 40.6 x 50.8 cm (16 x 20 in); framed: 73.3 x 60.1 cm (28 7/8 x 23 5/8 in)
© Robert Mapplethorpe Foundation. Used by permission

Lisa Lyon, 1982

Silver gelatin print
Unframed: 50.8 x 40.6 cm (20 x 16 in)
© Robert Mapplethorpe Foundation. Used by permission

Shoes on Plates, 1984

Silver gelatin print
Unframed: 50.8 x 40.6 cm (20 x 16 in); framed: 73.3 x 60.1 cm (28 7/8 x 23 5/8 in)
© Robert Mapplethorpe Foundation. Used by permission

Chest, 1983

Silver gelatin print
Framed: 50.8 x 40.6 cm (20 x 16 in); framed: 73.3 x 60.1 cm (28 7/8 x 23 5/8 in)
© Robert Mapplethorpe Foundation. Used by permission

Corn, 1985

Silver gelatin print
Unframed: 50.8 x 40.6 cm (20 x 16 in); framed: 73.3 x 60.1 cm (28 7/8 x 23 5/8 in)
© Robert Mapplethorpe Foundation. Used by permission

Apartment Windows, 1977

Silver gelatin print
Unframed: 50.8 x 40.6 cm (20 x 16 in); framed: 73.3 x 60.1 cm (28 7/8 x 23 5/8 in)
© Robert Mapplethorpe Foundation. Used by permission

  • Frogs, 1984
  • Pods, 1985
  • Cock and Devil, 1982
  • Arthur Diovanni, 1982
  • Bread, 1979
  • Lisa Lyon, 1983
  • Television, 1982
  • Clothespinned Mouth, 1978
  • Muffin, 1981
  • Lisa Marie, 1987
  • Madeline Stowe, 1982
  • Coconuts, 1985
  • Kitten, 1983
  • Italian Devil, 1988
  • Paris Fashion / Dovanna, 1984
  • Michael Reed, 1987
  • Hans Gert, 1979
  • Cock and Knee, c.1978
  • Lisa Lyon, 1982
  • Shoes on Plates, 1984
  • Chest, 1983
  • Corn, 1985
  • Apartment Windows, 1977

Installation

Press

Review: Robert Mapplethorpe, Alison Jacques Gallery

Sylwia Serafinowicz, Artforum

February 2017

London’s Photography Exhibitions View the World with Radical Eyes

Louisa Buck, The Telegraph

November 2016

Laid bare: The Playful Side of Robert Mapplethorpe

William Cook, BBC

November 2016

A Glimpse of Romance in Hardcore Mapplethorpe

Alastair Sooke, The Daily Telegraph

November 2016

Teller Reveals Mapplethorpe’s Hidden Side

Sophie Bew, Wallpaper

November 2016

A Lesser-Known Side of Robert Mapplethorpe

Lorena Muñoz-Alonso, Artnet

November 2016

Juergen Teller’s Surprising Take on Robert Mapplethorpe

Charlotte Jansen, Artsy

November 2016

Through Other Eyes

Jo Ellison, Financial Times

November 2016

Juergen Teller is Curating a Robert Mapplethorpe show

Ashleigh Kane, Dazed

August 2016

Juergen Teller to Curate Robert Mapplethorpe Show in London

Anny Shaw, The Art Newspaper

August 2016

Related

Robert Mapplethorpe

Artist Profile

Robert Mapplethorpe: Implicit Tensions: Mapplethorpe Now

Solomon R. Guggenheim Museum, New York

Robert Mapplethorpe & Ana Mendieta

in ‘Masculinities: Liberation Through Photography’, Barbican, London