Review: Betty Parsons, Spanierman Modern
David Frankel, Artforum
December 2008
The biographies of New York School artists are often sprinkled liberally with the name of Betty Parsons, who is acclaimed for staging groundbreaking shows of their work at her Fifty-seventh Street gallery. She is less well known as an artist in her own right, or rather, while the fact that she was an artist is quickly learned by those interested, the chance to see her work in depth remains rare. This show was accordingly welcome. […]