Review: Dorothea Tanning, Tate Modern
Mark Hudson, The Telegraph
February 2019
This is one of the strangest exhibitions I’ve ever seen in a major public gallery. Its subject is Dorothea Tanning (1910-2012), one of a number of brilliantly talented women at the heart of the surrealist movement (Lee Miller, Meret Oppenheim and Dora Maar were others) who’ve been overshadowed by their better-known male partners and colleagues (Dali, Magritte, Man Ray et al). […]