Review: Graham Little, Alison Jacques Gallery
Alex Bennett, The White Review
July 2019
The woman in Graham Little’s Untitled (Mother and Baby) (2019) sits in a bathroom of stone curves and oblong cavities. Behind her the view is impeccable: the sea a nacreous blend that accumulates in the sky, save frail crests of distant mountains. Pull back, and the room is sterile and tepid. A tall Emile Gallé vase hosts white lilies, a plump hobnail glass bottle rests beside a peacock blue decanter. […]