How Sheila Hicks Changed the Way We Think About Sculpture
Glenn Adamson, frieze
April 2019
‘Over the last ten years, rather surprising things have come to be called sculpture.’ So wrote Rosalind Krauss four decades ago in her essay for October magazine ‘Sculpture in the Expanded Field’ (1979). It is one of those texts that many people know about, but few actually read. The suggestive title phrase has become a cliché, appended to architecture, craft, ceramics, design, painting and so on. […]