Lygia Clark’s Art in London
Catherine Spencer, Apollo
July 2016
In a 1965 statement entitled ‘Art, Religiosity, Space-Time’, the Brazilian artist Lygia Clark asserted: ‘Art is not bourgeois mystification. What has changed is the form of communicating the proposition. It’s you who now give expression to my thoughts, to draw from them whatever vital experience you want.’ The works gathered at Alison Jacques Gallery predate this statement, ranging from 1951 to 1959, but even at this stage, when Clark used traditional materials like paint, gouache and graphite, her works evince the spirit of experimentation that would infuse her later participatory and sensorial collaborations. […]