Review: Lygia Clark, Guggenheim Museum Bilbao
Connie Butler, Artforum
January 2020
Revisiting foundational work by any great artist is always instructive. That of Lygia Clark’s first decade, from roughly 1948 to 1958, presages her radical sculptural and therapeutic experiments—the latter of which didn’t materialize until 1963, with Caminhando, a performance that invited viewers to cut Möbius strips from paper—and includes her breathtaking early paintings. […]