Review: Hannah Wilke, Alison Jacques Gallery
Maria Walsh, Art Monthly
December 2009
Feminist art from the 70s is currently in vogue, but is being in vogue simply a vagary of art world interest in an area of art history that has always been somewhat embarrassingly received outside of feminist audiences or does this work have some contemporary resonance beyond commoditisation? This select exhibition of Hannah Wilke’s work from that era brings aspects of these questions to the fore. […]