Review: Hannah Wilke, Alison Jacques Gallery
Paige K. Bradley, Artforum
October 2014
Though not quite a retrospective, this judiciously focused presentation, primarily composed of Hannah Wilke’s object work in sculpture and related drawings, implied the continued scope of the artist’s percolating influence some twenty years after her death. Copied onto a gallery wall at the exhibition’s entrance, her moving, ambitious text A Letter to Women Artists, 1975, set the tone: “I want to overwhelm you. I want to touch your feelings … Feel the folds.” […]