Review: Lygia Clark, MoMA
Rye Holmboe, Apollo
October 2014
Lygia Clark’s (1920-1988) retrospective at the Museum of Modern Art, New York, offers a welcome overview of the Brazilian artist’s work from the beginning of her career in the early 1950s up to her death in 1988. The first room in the show contains a few cubist paintings produced in the early 1950s, as well as more interesting works produced after 1954, when Clark discovered what she called the ‘organic line’. […]