Roy Oxlade: Britain’s Brilliant Tearaway
Miranda Richmond, Morning Star
May 2026
[…] Clearly these are not abstract paintings in the sense of being non-representational. The scribbly and random colour area, apparently created over a period of time, amount to a carefully constructed surface which is deeply spacial and also gloriously liberated; and on reading the titles one has a clue to his (Roy Oxlade) method and approach. […]