Strange Clay: I skipped happily through this punchy show
Waldemar Anuszczak, The Times
November 2022
Not long after he came out of prison, I had a conversation with Britain’s most prolific forger, Shaun Greenhalgh. He could make anything — and had done. It was his downfall.
He had churned out Assyrian reliefs, Gauguin pots, Renaissance bronzes, Barbara Hepworth sculptures, Roman silver and LS Lowry paintings. So I asked him which of these marvellous artistic methods was his favourite. “Ceramics,” he replied, quick as a Monet brushstroke. “Anything made of clay.” […]