The Best Shows to See in the US This April
Frieze
April 2024
There is no formula for beauty, no reliable unit of measure. But there are suggestions of some underlying logic in Graham Little’s Untitled (Sunflower Head) (2022), an austere vanitas of a decaying sunflower blossom, its seed-heavy face puckered and dry, stippled with greening rot. Beside it rests a rodent’s skull and the exposed circuitry of a spent machine, half-hidden under a clean white sheet. The image is lean as a riddle. Does it disclose some secret knowledge of the world’s inner workings, a reminder of the impossibly intricate systems that organize reality? Perhaps some rigid grammar – cold, immovable, elegant – lurks beneath the surface of things.