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Erika Verzutti

‘Transmissions: Selections from the Marciano Collection’, The Mariano Art Foundation, Los Angeles

The Guardian, Alison Jacques

The Traumatic Surreal review – coal sacks and furry tongues hit West Yorkshire

Hettie Judah, The Guardian

November 2024

Announcing Representation of Bona de Mandiargues

Alison Jacques will present a solo exhibition of Bona de Mandiargues’ work in 2025

Women of Surealism

Lise de Harme and Francos Ponge, The Feminist Art Journal

Spring, 1973

Elle Decor, Alison Jacques

The Agenda of the Week’s Exhibitions

Silvia Airoldi, Elle Decor

September 2023

Rediscovering Bona de Mandiargues, an important surrealist whose story has never been reconstructed

Illaria Baratta, Finestre sull’ Arte: The Best of Italian Art

September 2023

RSI, Alison Jacques

Bona de Mandiargues, a disturbing and visionary artist

Francesca Cogoni, RSI

June 2024

Three Films by Ana Mendieta

at Museum of Modern Art, New York

Plinth, Alison Jacques

Review: ‘I Am the Last Woman Object’

Millie Walton, Plinth

November 2024

Burlington Contemporary, Alison Jacques

Review: ‘Nicola L.: I Am The Last Woman Object’

Clelia Rebecchi, Burlington Contemporary

November 2024

Alison Wilding: Testing the Objects of Affection

20 September26 October 2024

Ana Mendieta

in A Garden Manifesto, edited by Olivia Laing and Richard Porter