in ‘Personal to Political: Celebrating the African American Artists of Paul Fontain Press’, Whatcom Museum, Washington

‘In Interludes and Transitions / في الحِلّ والترحال’, Diriyah Contemporary Art Biennale, Saudi Arabia

in ‘Looking Back | The 16th White Columns, New York

Ikon Gallery, Birmingham

in ‘Roppongi Crossing 2025: What Passes Is Time. We Are Eternal.’, Mori Art Museum, Tokyo

Hastings Contemporary

in ‘Max Ernst to Dorothea Tanning: Networks of Surrealism Provenances from the Ulla and Heiner Pietzsch Collection’, Neue Nationalgalerie, Berlin

in ‘Magical Women’, Draiflessen Collection, Mettingen, Germany

in ‘Toshiko Takaezu: Dialogues in Clay’, Princeton University Art Museum, New Jersey

in ‘Artist’s Choice: Arthur Jafa–Less Is Morbid’, MoMA, New York

in ‘Forbidden Territories: 100 Years of Surreal Landscapes’, Museum Arnhem, The Netherlands

in ‘Four times Two: half a century of art from the collection’, Bonnefantenmuseum, Maastricht