Lygia Clark, Fernanda Gomes, Ana Mendieta & Michelle Stuart – Alison Jacques

Three Films by Ana Mendieta

at Museum of Modern Art, New York

Erika Verzutti: The Life of Sculptures

LUMA Arles, France

Graham Little

crosscurrent magazine

Nicola L.: Chelsea Girl

Frac Bretagne, France

Erika Verzutti

‘Transmissions: Selections from the Marciano Collection’, The Mariano Art Foundation, Los Angeles

Monica Sjöö

in ‘Good Mom / Good Bad: Unravelling the Mother Myth’, Centraal Museum, Utrecht

Carol Rhodes

VISUAL Centre for Contemporary Art, Carlow, Ireland

Sophie Barber

in ‘Sussex Modern’, Towner Gallery, Eastbourne

Sagarika Sundaram

UBS Lounge, Art Basel, Miami Beach

Birgit Jürgenssen

in ‘The Traumatic Surreal’, Henry Moore Institute, Leeds

Announcing Representation of Bona de Mandiargues

Alison Jacques will present a solo exhibition of Bona de Mandiargues’ work in 2025

Fernanda Gomes

Whitechapel Edition

Ana Mendieta

in A Garden Manifesto, edited by Olivia Laing and Richard Porter

Ana Mendieta, Birgit Jürgenssen & Hannah Wilke

in ‘Vital Signs: Artists and the Body’, Museum of Modern Art, New York

Lygia Clark, Fernanda Gomes, Ana Mendieta and Michelle Stuart are included in ‘The Sensation of Space’ at The Warehouse, Dallas.

In his essay on artist and friend Alberto Giacometti, French writer Jean Genet describes a conversation in which Giacometti discusses his understanding of objects as existing in a kind of spatial solitude, apart from their surroundings, with the ability to generate a new awareness of space around them. In this brief exchange, the artist offers his impression of the complex and poetic relationship we share with the material, physical world. It is through the act of making a sculpture that Giacometti – and the artist in general – imbues each object with its own place or weight, or as Genet describes, ‘the sensation of space’ that surrounds it.

Taking Genet’s description as its title, this exhibition looks at the ever-expanding ways artists create sculptures that generate, activate, and occupy space in all its physical and psychological manifestations. At its foundation is a dialogue between the Raymond and Patsy Nasher Collection, one of the world’s finest collections of European and American modern and contemporary sculpture and The Rachofsky Collection, a post-WWII collection of art from around the world with focuses in identity, process, and conceptual work. ‘The Sensation of Space’ explores the material, formal, and thematic connections in works dating from the mid-19th century to the present and illustrates how artists continually seek out new ways to redefine traditional notions of sculpture.

The Sensation of Space is co-organised by The Warehouse in partnership with the Nasher Sculpture Center. The exhibition features works from The Rachofsky Collection, the Raymond and Patsy Nasher Collection, the Nasher Sculpture Center, the Dallas Museum of Art, the Collection of Marguerite Steed Hoffman, the Collection of Deedie Potter Rose, and the Collection of Christen and Derek Wilson. The exhibition is curated by Dr. Leigh Arnold, Assistant Curator, Nasher Sculpture Center and Thomas Feulmer, Director of Educational Programming, The Warehouse.

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