Lygia Clark’s Many Twists and Turns
Roberta Smith, The New York Times
May 2014
The Museum of Modern Art’s sprawling survey of the work of the influential Brazilian artist Lygia Clark has a singularly unpromising title: “Lygia Clark: The Abandonment of Art, 1948-1988” signals something of a letdown, especially if you like art. But once you’ve worked your way through this up-and-down massing of some 300 works, equally fitting and less stark alternatives may come to mind, including “the expansion of art” and “the internalization of art.” […]