Review: Lygia Clark, MoMA
Anne Doran, Time Out
May 2014
This fascinating exhibition surveys the work of Brazilian avant-garde artist Lygia Clark (1920–1988), a central figure in Brazil’s short-lived Neo-Concrete movement of the late 1950s and early ’60s. The Neo-Concrete artists borrowed from European nonobjective painters such as Piet Mondrian and Kazimir Malevich, but rejected their rationalism in favor of a more poetical and phenomenological approach. […]