Maria Bartuszová at Tate Modern review: Portrays the quiet magic of a remarkable sculptor
Ben Luke, Evening Standard
September 2022
In 1962, Maria Bartuszová filled a condom with plaster, left it to turn solid, put it on a base and eventually cast it in aluminium. The untitled work was, she said in notes accompanying drawings, intended to represent a tree swaying in the wind. That this, the earliest work in Tate Modern’s exhibition, achieves just that tells you everything about the quiet magic of this remarkable, too-little-known sculptor. […]