Plaster master – Maria Bartuszova at Tate Modern, reviewed
Millie Walton, Apollo
December 2022
Just inside the entrance of the Maria Bartuszova exhibition at Tate Modern hangs a single white drop suspended from the ceiling by a thin piece of string. The untitled sculpture (1963–64) is an example of the Slovakian artist’s early experiments; she would pour liquid plaster into an inflated balloon and then submerge it in water, allowing the weight of the material – its gravitational pull – to dictate the final form. […]